Haven't had much time to write here lately, as I'm working towards dedicating as many free moments as I can to Mechalarum. Two months might seem like a long time, but I don't want to take any chances. This is the point at which I'm realizing that putting out a novel is a monumentally enormous task, and that writing the first draft (at least for me) is only a tiny sliver of it. Luckily, I've got some great support people on my side to help keep me plugging away!
To make up for being AWOL, here's a cute picture of a puppy! Okay, so he's not technically a puppy anymore, but he is adorable :)
Emma Larkins - Writing Life
Tuesday, May 21, 2013
Thursday, May 2, 2013
Writing About Crowdfunding for Authors with Buckell, Sullivan, Shvartsman, and More!
I recently received an awesome opportunity to share my thoughts about crowdfunding for authors on the SF Signal blog, along with some of the most interesting people currently pushing the boundaries of publication and promotion methods.
MIND MELD: What Crowd Funding SF/F Novels Means for Authors and Publishers
Excerpt:
"The introduction of crowdfunding is again upending the landscape, this time creating a natural vetting process; a success on a site like Kickstarter shows that an author is likely to have something other than the ability to type tens of thousands of words going for her. It’s never easy to judge how enjoyable a book by a first-time author will be, and crowdfunding provides a great tool to help good reads rise to the top."
The list of co-authors on the article really demonstrated how small the crowdfunded science fiction/fantasy author space is at the moment. I've actually been chatting with three of the eight other authors on the list, including...
Michael J. Sullivan, who recently concluded a thrilling Kickstarter campaign for his book Hollow World during which he raised more than 10 TIMES his funding target of $3,000 and blew through his stretch goals as if they were planets at the mercy of a Superlaser.
Wednesday, April 24, 2013
Link Roundup April 24: Phantom Tollbooth Documentary, Transcribing Interviews, and More
Just a short post for today, wanted to share some of the links I've been collecting recently. There's some useful info here for putting a recorded interview into written form, videos comparing and describing the various self publishing platforms, exciting news about a classic children's book, sweet pics captured during my Mechalarum costume promotional event, and a great forum post with tips about using Kickstarter. Hope you enjoy!
How Do You Transcribe Recorded Interviews?
Self Publishing Video Tutorials
Phantom Tollbooth Documentary Coming This Summer
Meet Emma Larkins on Take It Easy Tiger
Forum Post About Kickstarting Board Games
How Do You Transcribe Recorded Interviews?
Self Publishing Video Tutorials
Phantom Tollbooth Documentary Coming This Summer
Meet Emma Larkins on Take It Easy Tiger
Forum Post About Kickstarting Board Games
Wednesday, April 17, 2013
Interview with Alex Shvartsman on Community Days
Welcome to another great Community Days interview!
My guest today is Alex Shvartsman, a writer and game designer from Brooklyn, NY. He's sold nearly 50 short stories since late 2010, to such venues as The Journal of Nature, Intergalactic Medicine Show, Daily Science Fiction, and Galaxy's Edge, among others. He's best-known for humorous short stories.
In 2012 Alex edited and published Unidentified Funny Objects -- an anthology of humorous SF/F which featured stories by Mike Resnick, Lavie Tidhar, Jody Lynn Nye, and Ken Liu, among others. It was well-received by readers and critics alike. Alex is running a Kickstarter campaign to help fund the second in what he hopes will become an annual anthology series: Unidentified Funny Objects.
Tell us a little bit about your inspiration for the Unidentified Funny Objects collection. How did it reflect your previous experience as a writer and editor?
Much of what I write is humorous science fiction and fantasy short stories. I submit them to what markets appreciate that sort of thing, but there are many established and well-respected magazines and anthologies that do not. So it cuts down the list of viable professional markets from over a dozen to just a handful. I always found this frustrating and wished that somebody would create a regular outlet for SF/F humor (I firmly believe there are plenty of readers interested in such stories). So you could say that I was inspired to create the market I always wanted to exist. And when I researched humor anthologies, I found that nothing similar to Unidentified Funny Objects had been published, at least not during the course of the last decade. I became even more convinced that there's a niche need that my project could fill.
Thursday, April 11, 2013
How Virtual and Real-World Events Can Nurture Your Writing Career
What’s a writer got to do to get noticed these days?
Feeding your fictional (or non-fictional) passion requires more than simply creating beautiful works of words. Readings, panels, classes, and presentations (whether on- and offline) can be a great boon to your exposure – and your bottom line.
Strengthening Relationships with Fans
Self-published authors are pretty much on their own when it comes to building a platform of zealous fans (although it is possible to contract out publicity services, as long as you find a reputable person or organization). The strongest relationships are formed when you meet and engage people in conversation – either in the real world, or the virtual one. It can take some work to get comfortable with the idea of showcasing yourself live in front of strangers, but it helps to think of the lives you can potentially touch, teach, and inspire with your words.
If you’re traditionally published, your publisher will probably be able to assist in this arena – after all, it’s in their best interest to improve your visibility. Still, it doesn’t hurt to take as active a part as you can. For example, check out Togather; it’s a great option for getting fans to commit to an event so you don’t show up to an empty room.
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