Writing About Crowdfunding for Authors with Buckell, Sullivan, Shvartsman, and More!

I recently received an awesome opportunity to share my thoughts about crowdfunding for authors on the SF Signal blog, along with some of the most interesting people currently pushing the boundaries of publication and promotion methods.

MIND MELD: What Crowd Funding SF/F Novels Means for Authors and Publishers

Excerpt:

"The introduction of crowdfunding is again upending the landscape, this time creating a natural vetting process; a success on a site like Kickstarter shows that an author is likely to have something other than the ability to type tens of thousands of words going for her. It’s never easy to judge how enjoyable a book by a first-time author will be, and crowdfunding provides a great tool to help good reads rise to the top."

The list of co-authors on the article really demonstrated how small the crowdfunded science fiction/fantasy author space is at the moment. I've actually been chatting with three of the eight other authors on the list, including...

Michael J. Sullivan, who recently concluded a thrilling Kickstarter campaign for his book Hollow World during which he raised more than 10 TIMES his funding target of $3,000 and blew through his stretch goals as if they were planets at the mercy of a Superlaser.

Interview with Alex Shvartsman on Community Days

Welcome to another great Community Days interview!

My guest today is Alex Shvartsman, a writer and game designer from Brooklyn, NY. He's sold nearly 50 short stories since late 2010, to such venues as The Journal of Nature, Intergalactic Medicine Show, Daily Science Fiction, and Galaxy's Edge, among others. He's best-known for humorous short stories.

In 2012 Alex edited and published Unidentified Funny Objects -- an anthology of humorous SF/F which featured stories by Mike Resnick, Lavie Tidhar, Jody Lynn Nye, and Ken Liu, among others. It was well-received by readers and critics alike. Alex is running a Kickstarter campaign to help fund the second in what he hopes will become an annual anthology series: Unidentified Funny Objects.

Tell us a little bit about your inspiration for the Unidentified Funny Objects collection. How did it reflect your previous experience as a writer and editor?

Much of what I write is humorous science fiction and fantasy short stories. I submit them to what markets appreciate that sort of thing, but there are many established and well-respected magazines and anthologies that do not. So it cuts down the list of viable professional markets from over a dozen to just a handful. I always found this frustrating and wished that somebody would create a regular outlet for SF/F humor (I firmly believe there are plenty of readers interested in such stories). So you could say that I was inspired to create the market I always wanted to exist. And when I researched humor anthologies, I found that nothing similar to Unidentified Funny Objects had been published, at least not during the course of the last decade. I became even more convinced that there's a niche need that my project could fill.