Monday, December 19, 2011

How To Write a Draft... and How Many Drafts it Takes

How does one write a draft? And how many drafts does it take until a story, blog post, or article is complete? There are plenty of people out there searching for the answers to those questions.

As a freelancer, I have a lot of different projects going on at one time. Not all of them are computer-based, so I don't always sit in front of my computer for long spans of time, nor do I always have the luxury of spending my computer time focused on a single piece of work. This can be very frustrating if I'm trying to achieve a certain goal in one sitting - such as, say, "finishing a first draft." I'm sure the same is true for many people who live and work in the writing world. Whether it's kids, pets, other jobs, or something else that takes your mind away from the draft, it can be hard when you don't know when it's time to "move on to the next stage."

Now that I've been thinking more about drafts in general, and how to get my work done more quickly specifically, I think that the problem is with the carved-in-stone definition of "draft." For example, when I write an article for a site online (such as Trail's Edge Blog), I used to try and force myself through to my desired word count on the first pass. That led to me either staring at the screen angrily when I was halfway through and coming up blank, or just procrastinating until I had that perfect slot of time available. Which never happened, by the way.

Friday, December 16, 2011

Interview with Gord McLeod on Community Fridays

Welcome to Community Fridays! During this weekly event, I interview authors, editors, publishers, and pretty much anyone else who I can get my hands on from the writing and publishing community. Hope you enjoy, and feel free to suggest new participants. Check out current and past interviews here. Only have a minute? Click here for interviews at a glance.

Today's guest is Gord McLeod, tech blogger, fiction writer in the steampunk genre, and owner of the new site Fiction Improbable.

In the comments section on a post on your blog, we had a little mini-brawl over whether it was better to write the first draft quickly or slowly. Just kidding; it was all very civil. Honestly, I'm still on the fence on this one. What, in your opinion, are the benefits of taking your time on a first draft?

The big benefit that comes to mind first is that when you take your time on a first draft you have the time to plan it out well and make sure you’re not missing any vital pieces of the story. Rushing carries the risk that your draft will have giant holes. The potential problem is the same thing though—you have the time to cover ground. A lot of ground. So much ground that you risk not finishing at all, of getting caught up in an unending cycle of editing that leaves you unable to write and make progress.

Monday, December 12, 2011

Writing a Book Is Just Capturing a Moment

My feelings about getting a book published have never been stable. When I was younger, I thought it would be cool to see my name printed on the pages of a novel, but I never got much farther than that. Now, with 4.5 finished first drafts under my belt (and yes, the 0.5 one is finished because I don't intend to take it any further), I can't say that I'm feeling any more certain about the prospect of being published.

It's never been a question of confidence. I know that, with enough perseverance, I have just as much chance at getting published as anyone else. And, barring that, I've explored self-publishing and know that I could easily take that road if I found myself with a project I cared about that didn't fit into the traditional publishing framework.

No, the real problem has been uncertainty over whether my work can meet the high standards I've set for myself. I've read some excellent books in my life, books by Tamora Pierce and J. R. R. Tolkien and Charles Dickens and others that have changed the way that I view the world. How can I hope to make a mark in an environment that already has so much great literature in it?

Friday, December 9, 2011

Interview with Dianna Gunn on Community Fridays

I'm thrilled to be bringing Community Fridays back to my blog!

During Community Fridays, I interview authors, editors, publishers, and pretty much anyone else who I can get my hands on from the writing and publishing community. Hope you enjoy, and feel free to suggest new participants. Check out current and past interviews here. Only have a minute? Click here for interviews at a glance.

Today's guest is Dianna Gunn, an intern at the speculative fiction emagazine Penumbra, and also a writer and blogger. Stay tuned for promotion ideas for writers and tips about getting published in e-magazines.

You're working as an intern at Penumbra eMagazine, which publishes speculative fiction. Tell us a little about the magazine's focus, and how it's different than some of the others available.

First off, Penumbra is an eMagazine. Running everything online means we have a pretty low overhead compared to other magazines in the same genre, so we can afford to sell Penumbra for less without sacrificing the authors' pay. Second off, we pay our authors the professional rate of five cents per word. There are only a handful of other magazines that pay the professional rate for stories. So when you buy from us, you know you're not just supporting Penumbra--you're supporting the authors you love.

Tuesday, November 8, 2011

Freelance Writer Vs. Online Entrepreneur: What's the Difference?

Source: Emma Larkins
I often describe myself as both a freelance writer and an online entrepreneur. In some ways, the difference between these two types of employment are greater than you might think; in other ways, they're actually pretty similar, and involve a lot of related skills, techniques, and abilities. If you're interested in trying either one, it helps to know exactly what they each entail.

Freelance Writing

The main identifying factors when it comes to being a freelance writer are writing for other people and (almost) always getting paid a set amount. In general, you work for one or more clients. The clients specify the type of work they are looking for, and the amount of money they're willing to pay (although sometimes there is negotiating involved). The writer provides this work, and in return receives the agreed-upon payment. In order to increase income, freelance writers search for new clients and new writing markets.

There are a variety of different ways you can get paid as a freelance writer. You can write articles for online or offline newspapers and magazines, either as one-shot deals or as a regular contributor (at some point you might end up becoming a staff writer). You can write copy for marketing purposes, to be included in advertisements, brochures, websites, or other mediums. You can ghostwrite fiction or non-fiction pieces.

One thing remains the same: you are guaranteed to receive payment for your work, and that amount is almost always agreed upon before the work is completed.

Online Entrepreneurship